slavomira ondrusova: Exhibition in Dom Umenia. Bratislava, 2012.

Friday, February 22, 2013

Exhibition in Dom Umenia. Bratislava, 2012.

A relationship between two artistic media, drawing and jewellery, is what an area means to a space, or what a silence is to the music.. Each one has it’s own specification linked to each other. This work seems not a finished artefact, but a

segment of a longlasting exploration of this special issue. The process of creating is getting to the front line, is not hidden, on the contrary is a visible part of the work. It is about the process of making, of creating, of thinking, of rethinking again and again, of making mistakes and do not deleteing them. It is about finished artifacts versus the process, the neverending research and searching.

This work was given The rector's prize 2012.

"A dialoque between drawing and jewellery"

Installation in House of art, Bratislava. 2012

"A dialoque between drawing and jewellery"

Installation in House of art, Bratislava.

2012

"A dialoque between drawing and jewellery"

Installation in House of art, Bratislava.

2012

"A dialoque between drawing and jewellery"

Installation in House of art, Bratislava.

2012

"A dialoque between drawing

and jewellery"

Installation in House of art,

Bratislava.

2012

"A dialoque between drawing

and jewellery"

Installation in House of art,

Bratislava.

2012

No comments:

Post a Comment

Subscribe to: Post Comments (Atom)

The essential part of my work is a practical and theorethical research of the relationship between drawing and space and a role of drawing in the creative process of thinking and making. In my work I deconstract drawing as well as jewellery into a fundamental symbols.

Drawing is like thinking, it takes you from one idea to another. I try to input this freedom of drawing into the jewellery process of making. Jewellery is a medium known for its utilittnes, aesthetics priorities and wearable demands.

What will happen, if I work with the silver as with a paper sheet, or with wire as with pencil? In my work, I research a primary signs of visual language as are a line, point, area in drawing and wire, sheet of metal or a hole in in the ﬁeld of jewellery. This most essential alphabet visualized in objectes

are combined into installations mostly in the way of naturalist do in the museums, on the long white shelters with pieces laying down with their own exact order next to each other, as a part of the neverending process. I combine signs and vocabulary of visual language with texts, words, and researching a different limitations or deﬁnitions in both languages. During research and production arise new ideas and process is still ON.